Actress
David O. Selznick had
been captivated by the "big-eyed girl" (as her referred
to her in one of his famous memos). She would become his obsession
and he would spend the rest of his life nurturing her career.
Selznick had been married to Irene Mayer Selznick (Louis B.
Mayer's daughter) since 1930. He was one of Hollywood's most
brilliant independent producers and his resume included such
memorable films as King Kong, Dinner At Eight, A Star
Is Born, Anna Karenina, Rebecca and of course, Gone
With The Wind. He had a keen eye for worthwhile
projects and new talent but when he became obsessed with a
project or a person, he tended to go overboard and his judgment
was often erred.
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David Selznick and
Jennifer Jones, 1963
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The
"big-eyed girl" who captivated Selznick
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Phylis left New York to go
to Hollywood where she would test for Claudia. Robert
stayed behind with the boys and continued his radio work.
Selznick first wanted to test his new find with audiences
so he put her in a small play in Santa Barbara called Hello
Out There. The play was a success and Phylis received
good notices. Selznick was pleased with everything but the
name "Phylis Walker". He instructed his office
staff to start thinking about a new name. He liked the name
"Jennifer" and wanted a last name that would be
simple. For three months, they pondered a new name and someone
(no one knows exactly who) came up with "Jones".
Selznick and Phylis both liked it so in late January 1942,
"Jennifer Jones" was introduced as David Selznick's
latest discovery. Her first project was yet to be announced.
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Jennifer
returned to New York after her Claudia test and her
stint in Hello Out There. In the meantime, Robert had
bought them a new house on Long Island. They were both making
good money - he in radio and she with her new contract, even
though she had no work to do. She was terribly crushed when
Selznick informed her that the Claudia role would go
to Dorothy McGuire but he told her not to worry, that her
debut would be in a very important role. She finally told
Selznick about her previous two Republic pictures and, though
the matter greatly concerned him, he learned that the contract
had indeed been canceled and was hoping that no one would
remember Jennifer in those films.
Selznick
learned that Twentieth Century Fox was looking for a newcomer
for the title role in The Song Of Bernadette. This
was the kind of role that he was looking for for Jennifer's
debut. In October of 1942, Jennifer received the call that
she was to test for Bernadette (For more about Jennifer's
screen test, see The Song Of
Bernadette in the Films section). In early December,
Jennifer was informed that the role was hers and she and her
family were on their way to Hollywood.
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first, the turn of events in Robert and Jennifer's careers
could not have been better. Jennifer started work on Bernadette
and Walker (with the help of Selznick) was signed on
at the prestigious MGM where his future also looked very
promising. However, Selznick's attention toward Jennifer
was becoming more and more intense. For her twenty fourth
birthday on March 2, 1943, he gave her a beautiful leather
bound copy of The Song Of Bernadette that had
been autographed by the author Franz Werfel.
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Franz
Werfel, Jones and Charles Bickford
on the set of "The Song of Bernadette"
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There are conflicting
accounts as to when Robert and Jennifer's marriage began
to unravel. Vincent Price claims that it began to happen
during the filming of Bernadette. Whatever
the case, their relationship grew very tense by the time
The Song of Bernadette had wrapped in July of 1943.
Jennifer and Robert were then both assigned to Since
You Went Away where filming their love scenes
was most difficult. By October, they had separated. The
Song Of Bernadette opened in December of 1943 and
Jennifer was an overnight star. Robert Walker too had
gained star status with the film Bataan.
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Walker and Jones began
divorce proceedings in March of 1944 and Robert Walker
did not cope with it well. He began to drink and his volatile
temper got him into trouble with the police on several
occasions. Despite his promise of a successful film career
(he was well liked by the movie going public) he lost
all interest in his work. He remarried in 1948 to
Barbara Ford (director John Ford's daughter) but it only
lasted six weeks. Later, Walker spent time at Menninger's
Clinic for his alcohol problem and he suffered several
nervous breakdowns. He made a memorable comeback
in Alfred Hitchcock's Strangers On A Train but
he died suddenly in 1951 when doctors gave him sedatives
following an emotional outburst.
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With sons Robert Jr.
and
Michael Walker (1952)
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Shattering
her saintly image as
Pearl in "Duel In The Sun"
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David Selznick's chief
concern now was the career of Jennifer Jones. He wisely
chose roles that would portray her in diverse characterizations
and as a result she was not typecast. Her roles ranged
from sweet and innocents like Bernadette,
Jennie, and Miss
Dove to sultry vixens like Pearl
Chavez and Ruby Gentry. She
would portray contemporary women as well as classic literary
characters like Madame Bovary
and Sister Carrie. Selznick's
judgment sometimes faltered. In 1944, Jones was offered
the part of the lead role in Laura and Selznick
turned it down!
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David and Jennifer's relationship
intensified over the years but it was not until July 13,
1949 that they were finally married on a yacht off the
coast of Italy. They moved into a beautiful home on Tower
Road in Beverly Hills that had once belonged to John Gilbert.
On August 12, 1954, Jennifer gave birth to their first
child, Mary Jennifer. Her first pregnancy with Selznick
had ended in a miscarriage in 1951.
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David, Mary Jennifer
and
Jennifer
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On
stage in Serena Blandish
(August 1948) |
Jennifer's
career hit a slump in the late 40s and early 50s when
her films did not do well at the box office (although
these are some of her best films) but she rebounded in
the mid 50s with Love Is
A Many Splendored Thing and Good
Morning, Miss Dove and she was very popular with
the public. However, Selznick's overblown production
of A Farewell To Arms
was a disaster and did little to benefit Jennifer's career.
She was off the screen for three years following A
Farewell To Arms and returned in 1961 in Tender
Is The Night which was also poorly received.
Selznick's
health began to deteriorate (he had a bad heart) and he
died on June 22, 1965. Jennifer was devastated but quickly
accepted a film role in a low budget production called
The Idol in order to keep
herself occupied. She was a very lonely woman who had
lost the driving force behind her life and career. When
she learned that her close friend Charles Bickford had
died, she took an overdose of pills and was found unconscious
on Malibu Beach. She later claimed that the incident
had been an accident but it was evident that the 60's
were very troubled times for Jennifer.
Continue
on to Patron Of The Arts (The Norton Simon Years)
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