Actress

David O. Selznick had been captivated by the "big-eyed girl" (as her referred to her in one of his famous memos). She would become his obsession and he would spend the rest of his life nurturing her career. Selznick had been married to Irene Mayer Selznick (Louis B. Mayer's daughter) since 1930. He was one of Hollywood's most brilliant independent producers and his resume included such memorable films as King Kong, Dinner At Eight, A Star Is Born, Anna Karenina, Rebecca and of course, Gone With The Wind. He had a keen eye for worthwhile projects and new talent but when he became obsessed with a project or a person, he tended to go overboard and his judgment was often erred.

David Selznick and Jennifer Jones, 1963
David Selznick and
Jennifer Jones, 1963

Jennifer Jones, early 1940's
The "big-eyed girl" who captivated Selznick

       

 

Phylis left New York to go to Hollywood where she would test for Claudia. Robert stayed behind with the boys and continued his radio work. Selznick first wanted to test his new find with audiences so he put her in a small play in Santa Barbara called Hello Out There. The play was a success and Phylis received good notices. Selznick was pleased with everything but the name "Phylis Walker".  He instructed his office staff to start thinking about a new name. He liked the name "Jennifer" and wanted a last name that would be simple. For three months, they pondered a new name and someone (no one knows exactly who) came up with "Jones". Selznick and Phylis both liked it so in late January 1942, "Jennifer Jones" was introduced as David Selznick's latest discovery. Her first project was yet to be announced.

Jennifer returned to New York after her Claudia test and her stint in Hello Out There. In the meantime, Robert had bought them a new house on Long Island. They were both making good money - he in radio and she with her new contract, even though she had no work to do. She was terribly crushed when Selznick informed her that the Claudia role would go to Dorothy McGuire but he told her not to worry, that her debut would be in a very important role. She finally told Selznick about her previous two Republic pictures and, though the matter greatly concerned him, he learned that the contract had indeed been canceled and was hoping that no one would remember Jennifer in those films.

Selznick learned that Twentieth Century Fox was looking for a newcomer for the title role in The Song Of Bernadette. This was the kind of role that he was looking for for Jennifer's debut. In October of 1942, Jennifer received the call that she was to test for Bernadette (For more about Jennifer's screen test, see The Song Of Bernadette in the Films section).  In early December, Jennifer was informed that the role was hers and she and her family were on their way to Hollywood.

At first, the turn of events in Robert and Jennifer's careers could not have been better. Jennifer started work on Bernadette and Walker (with the help of Selznick) was signed on at the prestigious MGM where his future also looked very promising. However, Selznick's attention toward Jennifer was becoming more and more intense. For her twenty fourth birthday on March 2, 1943, he gave her a beautiful leather bound copy of The Song Of Bernadette that had been autographed by the author Franz Werfel. 
Franz Werfel, Jennifer Jones, Charles Bickford
Franz Werfel, Jones and Charles Bickford
on the set of "The Song of Bernadette"

 

There are conflicting accounts as to when Robert and Jennifer's marriage began to unravel. Vincent Price claims that it began to happen during the filming of Bernadette.  Whatever the case, their relationship grew very tense by the time The Song of Bernadette had wrapped in July of 1943. Jennifer and Robert were then both assigned to Since You Went Away where filming their love scenes was most difficult. By October, they had separated. The Song Of Bernadette opened in December of 1943 and Jennifer was an overnight star. Robert Walker too had gained star status with the film Bataan.

 

Walker and Jones began divorce proceedings in March of 1944 and Robert Walker did not cope with it well. He began to drink and his volatile temper got him into trouble with the police on several occasions. Despite his promise of a successful film career (he was well liked by the movie going public) he lost all interest in his work.  He remarried in 1948 to Barbara Ford (director John Ford's daughter) but it only lasted six weeks. Later, Walker spent time at Menninger's Clinic for his alcohol problem and he suffered several nervous breakdowns.  He made a memorable comeback in Alfred Hitchcock's Strangers On A Train but he died suddenly in 1951 when doctors gave him sedatives following an emotional outburst.

Jennifer Jones, Robert Walker Jr. and Michael Walker (1952)
With sons Robert Jr. and
Michael Walker (1952)

 

Jennifer Jones in "Duel In The Sun"
Shattering her saintly image as Pearl  in "Duel In The Sun"

 

David Selznick's chief concern now was the career of Jennifer Jones. He wisely chose roles that would portray her in diverse characterizations and as a result she was not typecast. Her roles ranged from sweet and innocents like Bernadette, Jennie, and Miss Dove to sultry vixens like Pearl Chavez and Ruby Gentry. She would portray contemporary women as well as classic literary characters like Madame Bovary and Sister Carrie. Selznick's judgment sometimes faltered. In 1944, Jones was offered the part of the lead role in Laura and Selznick turned it down!

 

David and Jennifer's relationship intensified over the years but it was not until July 13, 1949 that they were finally married on a yacht off the coast of Italy. They moved into a beautiful home on Tower Road in Beverly Hills that had once belonged to John Gilbert. On August 12, 1954, Jennifer gave birth to their first child, Mary Jennifer. Her first pregnancy with Selznick had ended in a miscarriage in 1951.

 

David Selznick, Mary Jennifer Selznick, Jennifer Jones
David, Mary Jennifer and
Jennifer

 

Serena Blandish
On stage in Serena Blandish
(August 1948)

Jennifer's career hit a slump in the late 40s and early 50s when her films did not do well at the box office (although these are some of her best films) but she rebounded in the mid 50s with Love Is A Many Splendored Thing and Good Morning, Miss Dove and she was very popular with the public.  However, Selznick's overblown production of A Farewell To Arms was a disaster and did little to benefit Jennifer's career. She was off the screen for three years following A Farewell To Arms and returned in 1961 in Tender Is The Night which was also poorly received.

Selznick's health began to deteriorate (he had a bad heart) and he died on June 22, 1965. Jennifer was devastated but quickly accepted a film role in a low budget production called The Idol in order to keep herself occupied. She was a very lonely woman who had lost the driving force behind her life and career. When she learned that her close friend Charles Bickford had died, she took an overdose of pills and was found unconscious on Malibu Beach.  She later claimed that the incident had been an accident but it was evident that the 60's were very troubled times for Jennifer.

Continue on to Patron Of The Arts (The Norton Simon Years)