Tootsie
Released
December 1982
Starring
Dustin Hoffman, Jessica Lange (as Julie), Terri Garr, Dabney Coleman,
Charles Durning, Bill Murray, Geena Davis
Directed by Sydney Pollack
116 min.
Box
office gross - 177.2 million
See
complete credits at Internet
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Following
her intense work on Frances, co-star
Kim Stanley advised Jessica to do a comedy. The opportunity arose when
she was offered the role of Julie (Nurse Charles) in the Sydney Pollack
comedy, Tootsie. Filming began only three weeks after she had completed
Frances. Although a supporting role, the role was a strong one and she
would be acting with such talents as Dustin Hoffman, Charles During,
Dabney Coleman, Terri Garr and Bill Murray. The part was a complete
opposite to Frances and one that she needed to get her mind of her past
project.
Tootsie was a first rate production and is considered today on
the funniest comedies ever made. To date, it is the highest grossing
film of any Jessica Lange film. It received 10 Oscar nominations but
Lange’s Supporting Actress win was the only award it received. It ranked
#62 on the American Film Institute’s Greatest American Films List and
#2 on its Greatest American Comedies List.
When
the Academy Award nominations were announced, Jessica received dual
nominations - a Best Actress nomination for Frances and a Best
Supporting Actress nomination for Tootsie. No actress had accomplished
this feat except for Teresa Wright back in 1942. Meryl Streep would
win in the Best Actress category (for Sophie’s Choice) but Jessica
would win the Best Supporting Actress award.
Critical
Sampling:
"When
Jessica Lange appears, the movie changes from the crackling, rapid-fire
presentation of the hopes vs. the realities of out-of-work actors' lives
to something calmer, and perhaps richer. She has a facial structure
the camera yearns for, and has talent, too." - Pauline Kael,
The New Yorker
"Lange
brings a beguilingly spacey sensuality, Monroe-like in its poignancy,
to her part..." - David Ansen, Newsweek
"Lange
is a total delight in a comedy role in which she brings the same sort
of intelligent gravity that distinguishes her work in 'Frances'"
- Vincent Canby, New York TImes
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